Summer can be a welcome break from the usual school-year routine and offers some unique opportunities for your private piano students. No school (or homework!) allows more time to experiment on the piano. Flexibility during the day also means you can alter scheduling and plan duet lessons or have a daytime piano camp. Of course, teachers always consider how to make piano lessons fun, and to help with that, we explore some summer ideas and resources.
Emmy-winning classical composer Julie Giroux says she didn’t know about any women composers when she was studying music, and when she first entered the field she didn’t meet any, either. Unfortunately, she is not alone in this experience. It’s only in the last few decades that women composers have begun to be recognized in some of the music industry’s top areas.
Sight reading is a wonderful assessment of musical literacy, but it can take time for students to learn this skill. This is why I advocate for having an organized and methodical plan to give students sight reading opportunities throughout the year. Over the course of my 26 years of teaching music in Texas, I have found that focusing time on sight reading each week has really paid off. First, the amount of preparation time for our formal concert literature has been reduced. Secondly, our performance quality has improved, providing a much deeper musical experience for the audience.
When browsing the choral sheet music collections of any music educator, one might be struck by the wide range of styles and themes present as well as the myriad composers who have graced the world with their art. One name stands out, however, not only for his prolific output, but also for his practicality and his dedication to creating music that is accessible to young voices without sacrificing its integrity. That name is Roger Emerson.
Quietly, in places ranging from convents to conservatories to farms, extraordinary women have written innovative music without the benefit of fame. Historical archives hint at the challenges they have faced. Critics called composer Ethel Smyth a “little woman” with “utterly unfeminine” works, and Florence Price echoed the concerns of other minority women when she penned in a famous letter: “To begin with I have two handicaps – those of sex and race.”
Technology finds its way into every aspect of our lives, and if we harness it effectively, it can change things for the better. That was the mindset behind creating Pepper’s ePrint service, which allows you to print your own sheet music. It is also the idea behind our new ePrintGo app, which enables you to take your ePrint music anywhere on any device. Both of these digital sheet music options are about providing customers with options they could not get with standard sheet music orders.
A musician cannot learn without a great teacher, but even the best teachers can’t be experts on every instrument. It can be challenging for an educator to teach an instrument that’s not their own. If a boost of confidence is needed in the area of teaching flute and piccolo, Yamaha performing artist Tracy Harris is here to help.
Exciting, fun, blown away – these are just some of the adjectives and phrases pep band directors have used to describe the experience of participating in the NCAA basketball tournament. Like the players, band members and their directors put their whole hearts into the games, spending many hours practicing their stands music for these showcase events.
Nothing rouses the spirit like a march, and few bands can capture the patriotic fervor of an American march like the United States Marine Band. Affectionately known as “The President’s Own,” the Marine Band was founded in 1798 by an Act of Congress signed by President John Adams and is the longest performing musical organization in the nation. For over 200 years, the Marine Band has been led by legendary American musicians like John Philip Sousa. One of these renowned directors, Colonel John Bourgeois (Ret.), sat down with Pepper to discuss his time with the Marine Band and how its work has impacted American culture both at home and in the eyes of the world.
As a jazz educator and president of the Jazz Education Network (JEN), I have seen literally thousands of lives impacted by studying improvisational music – but I didn’t realize the full impact it was having until my oldest two children Porter and Bryn became involved. It has been so exciting to watch them grow in their own abilities, not just as musicians, but as people.