In February, we celebrate past presidents and their contributions to our national identity. The legacies of our past leaders are played out in history books and written into law, but who each individual was as a person can often be lost in their great deeds. Luckily, there are pieces of presidential personality still in our possession today that allow us to better understand who these men were, not only through what they did, but also through what they valued.
The idea for Black History Month was developed during a difficult time for African Americans in the United States. In 1926, segregation and racial violence against the black community was widespread. Amid this struggle, a man named Carter Woodson, now known as the Father of Black History, wanted to find a way to celebrate African American achievements.
Ola Gjeilo began composing before he could even read music. When he was a child in Skui, Norway, just outside of Oslo, he taught himself to play the piano and created compositions that his father, an accomplished amateur saxophonist, would write down for him. His father’s love for jazz music led to the heavy influence of jazz in Gjeilo’s music at an early age and a special fondness for the improvisations of pianist Keith Jarrett.
To those of us in the sheet music biz, contest and festival season is also known as “score season.” Contests and festivals are great opportunities to showcase your performing groups outside of school and get feedback from judges. It also leaves a lot of opportunity for things to go wrong – you’ve selected your pieces and rehearsed your group, but did you remember to get your required scores for the judges? Here are a couple of things to keep in mind before entering score season.
Dr. Alice Hammel remembers when Vinnie started school. He had frequent outbursts and struggled throughout most of his elementary school years; eventually, he was diagnosed as being on the autistic spectrum. Dr. Hammel, who is a nationally recognized expert on teaching music to children of all ages with special needs, said Vinnie was unusual in that he could not match pitch – at all.
Composer Eric Whitacre delved into the visual world of film after he received an invitation he could not refuse. After conducting his Deep Field orchestra piece, which is based on the Hubble Space Telescope’s findings, he was approached by audience member Scott Vangen, a NASA payload specialist, who invited Whitacre to come to the Kennedy Space Center for a visit. Just a month later, Whitacre was there.
The spiritual and educational value of asking different generations to sing together is meaningful, and the energy they create together can be palpable. In the “good old days,” multigenerational singing was a regular part of worship. Now, many churches offer special activities for children and youth during services, and this can affect how young people view worship. Recently, churches are rethinking this philosophy by looking for moments where children, youth, adults and seniors all get an opportunity to minister together. I’d like to offer some suggestions about how you might form and maintain a multigenerational musical group.
J.W. Pepper would like to thank all the musicians and teachers who shared their time and expertise with us in 2018, making it possible for Cued In to cover meaningful stories. Here is a countdown of the 2018 blog articles viewed by the most people. Click the arrow to move through the slides, and click on the image if you’d like to read an article you missed:
It never failed. Late November into December, when my performing groups were approaching the final stages of concert preparation, one or more students would ask me, “Can you help me prepare a piece for my audition?” Most of the time it was for an early college audition, or an audition for a musical. “When is your audition, and what are you planning to sing?” were my first questions. The answer was predictable: “I’m not sure when it is, and I was hoping you could help me choose a song!”