It’s that time of year! Whether you started planning two years ago or you will wait until the first week of rehearsals (don’t worry, this is a no judgment zone), planning a choir season can be difficult. There are so many balls to juggle, so many plates in the air.
For composer Craig Courtney, music has been a lifelong pursuit. He began picking up melodies on the piano at the age of three, and in his teens he analyzed recordings of classical masterworks. This immersion into music helped to foster Courtney’s passion for excellence and influenced the art he would create throughout his life.
Rollo Dilworth is a master of the modern spiritual. Growing up in St. Louis and singing in both school and church choirs, Dilworth learned how to combine choral music with traditional spirituals. This combination became the basis of many of his most beloved works. Choral music is a natural way of bringing people together because, as Dilworth says, “every single culture across this globe sings.”
A prolific composer of choral music, Andy Beck has written hundreds of works, vocal resource books, and children’s musicals. Among his most famous works are the method books Sing at First Sight and the gorgeously poetic The Snow Begins to Fall. His sheet music has graced the folders of choir members across the country and around the world, and Pepper was honored to speak with him as part of our Inside Voice series.
Keith Getty burst onto the scene in 2001 with In Christ Alone, a modern hymn that quickly became a staple of Christian worship services. The song, a partnership with Stuart Townend, is still his signature piece to this day, and though this partnership has continued through Getty’s career, his best-known collaborator is also his partner in life and love: Kristyn Getty.
Your concert is coming up; you and your students have been working on the selected repertoire for a while now—things are coming along nicely and the time for the performance is close at hand.
The name Eric Whitacre is sure to turn heads anywhere musicians gather. While he is a composer of choral music first, his wide range of talents have enabled him to travel the world, writing music for different ensembles and performing with people from all walks of life.
You have decided on the trip, made all the preparations, and your students and parent groups have been hard at work raising the funds to ensure that every student can participate. Now it is time to choose the repertoire that you will be presenting.
Night of Miracles… Joy Comes in the Morning… Friends… It’s Cool in the Furnace… Celebrate Life… and the list could go on. Hopefully, you’re acquainted with or have experienced first-hand some or all of these now-classic musicals written by giants of church music. In my personal experience, the musical, or cantata, played a major role in my development as a church musician, writer, and then publisher.
Mary Lynn Lightfoot’s musical life started in the town of Canton, Missouri, where she began taking piano lessons at the age of four. As she grew up, she often played the piano for her church when the organist was away over the summer. Music helped to shape her life through high school, where she continued learning in both the band and choir. By the time she graduated, she had become so proficient that she received an instrumental scholarship to Truman State University (formerly Northeast Missouri State) for French horn.