It never failed. Late November into December, when my performing groups were approaching the final stages of concert preparation, one or more students would ask me, “Can you help me prepare a piece for my audition?” Most of the time it was for an early college audition, or an audition for a musical. “When is your audition, and what are you planning to sing?” were my first questions. The answer was predictable: “I’m not sure when it is, and I was hoping you could help me choose a song!”
The student population at Louisburg High School where I’m in my 40th year of teaching is about 535 students. Yet we’re proud that more than one-fourth of the student body is in marching band and that we were one of ten U.S. bands chosen to march in the Tournament of Roses Parade in January 2018.
You, like many music teachers, may have a set of handchimes in the instrument cabinet of your classroom that have been sitting for years. Now’s the time to open the case and put those handchimes into the hands of your students for successful music-making.
Now that the school year is well underway, instrument repairs are soon to be an unavoidable fact of life. The good news is many of the most common repairs can be done in the comfort of your own music room. To do so, however, you need the right tools. Here is a rundown of the most important tools you need for common musical repairs.
Think about the way we learn music – the methods and best practices used in the vast majority of music classrooms. The teaching approaches are not all the same, but there are a lot more similarities than differences. Go back to the 1980s and earlier, though, and you will find systems that are far removed from what we have today. Changes happened over time in large thanks to the inception of the Essential Elements for Band method books.
Sight reading is a wonderful assessment of musical literacy, but it can take time for students to learn this skill. This is why I advocate for having an organized and methodical plan to give students sight reading opportunities throughout the year. Over the course of my 26 years of teaching music in Texas, I have found that focusing time on sight reading each week has really paid off. First, the amount of preparation time for our formal concert literature has been reduced. Secondly, our performance quality has improved, providing a much deeper musical experience for the audience.
A musician cannot learn without a great teacher, but even the best teachers can’t be experts on every instrument. It can be challenging for an educator to teach an instrument that’s not their own. If a boost of confidence is needed in the area of teaching flute and piccolo, Yamaha performing artist Tracy Harris is here to help.
Few movie franchises have caught the world’s imagination like Star Wars. For forty years, audiences have been enthralled by the trials and tribulations of the Skywalker family and their adventures in a galaxy far, far away. The heroes and villains of the Old Republic and the Galactic Empire are cultural icons.
It’s back-to-school time! Many of you are already back in the classroom while other teachers are gearing up for the first day. That means it’s time to gather the supplies you need to be ready to start making music.
Your concert is coming up; you and your students have been working on the selected repertoire for a while now – things are coming along nicely and the time for the performance is close at hand.