In an age where it seems easy to make an amateur recording with electronic devices, the process of collaborating on a professionally produced choral album may be foreign to many people. We were given access into this process through an invitation by the Philadelphia-based choral ensemble The Same Stream. The choir draws its unique name from a poem written by the Bengali poet Rabindranath Tagore entitled The Stream of Life.
Over a period of two years, the National Association for Music Education (NAfME) has strengthened its partnership with an exciting program that is building connections between music educators. American Young Voices hosts the largest school choral concerts in the world in five cities for music students in grades 2 through 8 and their teachers.
Clinician, conductor, and composer Michael John Trotta is one of the bright young minds of modern choral music. His work has been performed at Carnegie Hall and featured at several national conferences, with recordings of his compositions broadcast worldwide. Pepper had the opportunity to sit down with Trotta to discuss his background, inspiration, views on education, and some of his most successful works. Continue Reading…
The harpsichord holds an important place in music history. Its unique sound is instantly recognizable, flavoring the works of countless composers from the Renaissance, Baroque and Classical periods. The historic harpsichord at Mount Vernon is of special interest to John Watson, Curator Emeritus of Musical Instruments for Colonial Williamsburg. It’s an instrument modern ears have had no way to hear… until now.
This past summer, Pepper had the pleasure of hosting four of the nation’s top clinicians for a recent Joy of Singing workshop. While they were here, we brought them together to discuss their experiences with teaching, focusing especially on middle school. Before you watch the video, here’s some background on each clinician as well as a glimpse at their thoughts on working with middle school students:
Great music tells a great story. Be it the story of a moment, the story of a feeling, or the story of a generation, music delivers the message in ways that mere words cannot. The ability to print sheet music spread these stories to people around the world. One of the earliest purveyors of printed music was the company C.F. Peters; in fact, the company was so closely linked to the spread of sheet music that the story of C.F. Peters is, truly, the story of printed music.
“When I think about jazz music, I think about the millions of musicians who were involved in this before me, who were great musicians and great educators… but they were not documented. And for me in my life, it’s been important to be a part of the documentation of jazz.” – Victor Goines, Jazz at Lincoln Center Orchestra.
Throughout the year, Pepper has been celebrating the 100th anniversary of the first jazz recording by sharing interviews with modern jazz legends, descriptions of historic sites, and a blog series about the impact of jazz on our national history. If you haven’t yet, please check out the excellent resources we have shared so far.
It is hard to match the magic of musical theater, and when the show in question happens to be the smash hit Wicked, magic is just the start. For the past 14 years, Wicked has enchanted countless visitors with its charm, leading to both national and international tours.
In the orchestral world, the bass section is often underappreciated, being relegated to the back of the ensemble and assigned the vital yet rarely glamorous task of setting the foundations for each different piece. In jazz, however, a bassist has the opportunity to explore a greater range of style and sound. The best jazz bassists are not just talented, but versatile – two words that happen to perfectly describe jazz bassist Christian McBride.