Did you ever get the feeling someone is talking about you? Well, this time of year you are being talked about plenty here at Pepper.
Are you looking for interesting ways to keep your students interested in practicing over the summer? With the school year drawing to a close and the heat of summer already upon some of us, we’ve all noticed our students becoming a little restless.
I suspect that high school and college horn students frequently live a life of musical schizophrenia. Religiously studying and performing classical orchestral literature — while listening to or wishing to play in a jazz ensemble. When one pictures jazz ensemble instrumentation, saxophones, trombones, drum set, trumpets, and double bass easily come to mind. An instrument rarely included in this list is the horn — an unfortunate oversight. Too often high school horn players are excluded from their jazz ensembles, or worse, persuaded to participate on trumpet! Utilizing the horn in the jazz medium is rare but was practiced as early as the 1940s with the inclusion of the instrument in scores for Claude Thornhill and later trumpeter Miles Davis. Willie Ruff, Julius Watkins, John Graas, Tom Varner, Adam Unsworth are just a few on the growing list of noteworthy American horn players devoted to the genre.
Horn player, teacher and composer Lowell Shaw composed Fripperies (horn quartet) in order to teach his students at the University of Buffalo how to play in commercial styles including jazz, barbershop, and funk. He has since increased the number of Fripperies to 40 and has also added Quipperies (horn quintet), Tripperies (horn trio), and Just Desserts (solo horn with optional string bass).
For beginning players, the Essential Elements – Jazz series is a useful introduction to jazz notation. In addition to horn, instrumentation also includes the less conventional flute and tuba. We’ll keep you posted as more jazz horn music becomes available in easy, intermediate, and advanced levels. Maybe this is the summer your horn students spend some time playing jazz!
Gordon Goodwin’s Big Phat Band is a dynamic force in the jazz idiom. Here, courtesy of the ASCAP archives, you can hear the Grammy-winning artist himself, talking about the process of building a unique voice for the band that connects with today’s audiences. Discover the influences and key collaborations that are part of the development of this energetic contemporary jazz voice.
Listen to Gordon, in his own words: Gordon Goodwin’s Big Phat Band
Sheet music available: http://tr.im/gordongoodwin