J.W. Pepper would like to thank all the musicians and teachers who shared their time and expertise with us in 2018, making it possible for Cued In to cover meaningful stories. Here is a countdown of the 2018 blog articles viewed by the most people. Click the arrow to move through the slides, and click on the image if you’d like to read an article you missed:
This month marks 100 years since the guns were silenced in Europe on “the 11th hour on the 11th day on the 11th month” in 1918, ending World War I. Concerts are being held across the globe to commemorate how the war influenced the world of music. Here are ten ways the war had an impact on the arts and culture:
Alex Meixner’s hands fly across his accordion when he plays crowd favorites at Oktoberfest celebrations across the country. The talented musician, who is known for the Hormel pepperoni commercials and his passion for the accordion, can play thousands of songs and has an encyclopedic knowledge about many styles of folk music. He began to learn how to play the accordion at age four; he now owns 14 accordions and travels with his band. Meixner says he loves how the accordion always gets a crowd reaction.
A large wall photo at a Philadelphia exhibition shows Leonard Bernstein during one of the most poignant days of his life – a day in 1948 when he conducted a concert with a small group of Holocaust survivors in Germany. The picture and the story behind the moment are part of the Leonard Bernstein: The Power of Music exhibit at the National Museum of American Jewish History. The presentation marks what would have been Bernstein’s 100th birthday in August 2018.
Each year when the annual celebration of our nation’s birth approaches, patriotic music becomes more prevalent in our daily lives. These songs paint a picture of our nation through their spirited melodies and inspiring lyrics. This Independence Day, Pepper has compiled some of our blogs about our national anthem, the “March King,” and other patriotic sheet music, along with interviews with some of the masters of military music.
Emmy-winning classical composer Julie Giroux says she didn’t know about any women composers when she was studying music, and when she first entered the field she didn’t meet any, either. Unfortunately, she is not alone in this experience. It’s only in the last few decades that women composers have begun to be recognized in some of the music industry’s top areas.
Quietly, in places ranging from convents to conservatories to farms, extraordinary women have written innovative music without the benefit of fame. Historical archives hint at the challenges they have faced. Critics called composer Ethel Smyth a “little woman” with “utterly unfeminine” works, and Florence Price echoed the concerns of other minority women when she penned in a famous letter: “To begin with I have two handicaps – those of sex and race.”
Nothing rouses the spirit like a march, and few bands can capture the patriotic fervor of an American march like the United States Marine Band. Affectionately known as “The President’s Own,” the Marine Band was founded in 1798 by an Act of Congress signed by President John Adams and is the longest performing musical organization in the nation. For over 200 years, the Marine Band has been led by legendary American musicians like John Philip Sousa. One of these renowned directors, Colonel John Bourgeois (Ret.), sat down with Pepper to discuss his time with the Marine Band and how its work has impacted American culture both at home and in the eyes of the world.
The harpsichord holds an important place in music history. Its unique sound is instantly recognizable, flavoring the works of countless composers from the Renaissance, Baroque and Classical periods. The historic harpsichord at Mount Vernon is of special interest to John Watson, Curator Emeritus of Musical Instruments for Colonial Williamsburg. It’s an instrument modern ears have had no way to hear… until now.
Great music tells a great story. Be it the story of a moment, the story of a feeling, or the story of a generation, music delivers the message in ways that mere words cannot. The ability to print sheet music spread these stories to people around the world. One of the earliest purveyors of printed music was the company C.F. Peters; in fact, the company was so closely linked to the spread of sheet music that the story of C.F. Peters is, truly, the story of printed music.