Trombonist Amanda Stewart compares it to a slow-moving glacier – the gradual acceptance of talented women playing brass instruments in the United States’ most renowned orchestras. Stewart is the associate principal trombone for the St. Louis Symphony Orchestra and is among the 3% of trombone players in the nation’s top orchestras who are women. When she was younger, she did not realize women had a small presence in the brass sections of professional orchestras.
The idea for Black History Month was developed during a difficult time for African Americans in the United States. In 1926, segregation and racial violence against the black community was widespread. Amid this struggle, a man named Carter Woodson, now known as the Father of Black History, wanted to find a way to celebrate African American achievements.
To those of us in the sheet music biz, contest and festival season is also known as “score season.” Contests and festivals are great opportunities to showcase your performing groups outside of school and get feedback from judges. It also leaves a lot of opportunity for things to go wrong – you’ve selected your pieces and rehearsed your group, but did you remember to get your required scores for the judges? Here are a couple of things to keep in mind before entering score season.
Now that the school year is well underway, instrument repairs are soon to be an unavoidable fact of life. The good news is many of the most common repairs can be done in the comfort of your own music room. To do so, however, you need the right tools. Here is a rundown of the most important tools you need for common musical repairs.
Two worlds collided for cellist Nicole Myers as she traveled back to her Pennsylvania high school to give a performance as a professional musician. She and her bandmates in a rock orchestra group called Cello Fury visited Ephrata High School on a rainy spring day for one of the many outreach concerts they do for schools. There she was greeted by her former cello teacher Galen Reed. Myers says Reed went above and beyond as an educator, including driving her to state orchestra events and supporting her work beyond high school.
David Kim paused after playing a few exquisite bars of music on his Italian violin. The concertmaster of The Philadelphia Orchestra seemed concerned that his instrument may be echoing too loudly across the sweeping multistory lobby of the Kimmel Center, where other people were working or visiting. This moment during our Pepper interview showcased both Kim’s humble nature and his concern for others – along with his extraordinary talent.
Few movie franchises have caught the world’s imagination like Star Wars. For forty years, audiences have been enthralled by the trials and tribulations of the Skywalker family and their adventures in a galaxy far, far away. The heroes and villains of the Old Republic and the Galactic Empire are cultural icons.
It’s back-to-school time! Many of you are already back in the classroom while other teachers are gearing up for the first day. That means it’s time to gather the supplies you need to be ready to start making music.
Choosing the right accessories for your ensemble can be tricky, especially on a budget. Some accessories can greatly affect the overall sound and efficacy of an ensemble. As a teacher, anything you provide that helps your ensemble sound more mature will give them a leg up when it comes to performances and festivals. Using the right products is also important for instrument care and can help keep your instruments in tip-top shape all year round.
Every spring, orchestra teachers anticipate getting next year’s rosters. They give a good indication of the instrumentation they’ll be working with in the coming fall when school begins.