The spiritual and educational value of asking different generations to sing together is meaningful, and the energy they create together can be palpable. In the “good old days,” multigenerational singing was a regular part of worship. Now, many churches offer special activities for children and youth during services, and this can affect how young people view worship. Recently, churches are rethinking this philosophy by looking for moments where children, youth, adults and seniors all get an opportunity to minister together. I’d like to offer some suggestions about how you might form and maintain a multigenerational musical group.
Clinician, conductor, and composer Michael John Trotta is one of the bright young minds of modern choral music. His work has been performed at Carnegie Hall and featured at several national conferences, with recordings of his compositions broadcast worldwide. Pepper had the opportunity to sit down with Trotta to discuss his background, inspiration, views on education, and some of his most successful works. Continue Reading…
It’s that time of year! Whether you started planning two years ago or you will wait until the first week of rehearsals (don’t worry, this is a no judgment zone), planning a choir season can be difficult. There are so many balls to juggle, so many plates in the air.
For composer Craig Courtney, music has been a lifelong pursuit. He began picking up melodies on the piano at the age of three, and in his teens he analyzed recordings of classical masterworks. This immersion into music helped to foster Courtney’s passion for excellence and influenced the art he would create throughout his life.
Keith Getty burst onto the scene in 2001 with In Christ Alone, a modern hymn that quickly became a staple of Christian worship services. The song, a partnership with Stuart Townend, is still his signature piece to this day, and though this partnership has continued through Getty’s career, his best-known collaborator is also his partner in life and love: Kristyn Getty.
Night of Miracles… Joy Comes in the Morning… Friends… It’s Cool in the Furnace… Celebrate Life… and the list could go on. Hopefully, you’re acquainted with or have experienced first-hand some or all of these now-classic musicals written by giants of church music. In my personal experience, the musical, or cantata, played a major role in my development as a church musician, writer, and then publisher.
Standing in the St. Matthew Lutheran Church in Hanover, Pennsylvania, it is not difficult to see how the beauty of religious devotion can inspire someone like Lloyd Larson to create such splendid choral pieces. Indeed, Larson considers himself a product of the church his family attended while growing up in Illinois.
No discussion of sacred and church choral music is complete without including the works of composer Joel Raney. Raney’s contribution to sacred music is widely celebrated by choir members and directors. His career has ranged from national tours of Broadway productions, to sacred cantatas, to TV and radio commercial jingles.
Dan Forrest is a man who believes “all good things, including any beauty that we encounter, are from God, through God, and ultimately to God.” It is from this basis that he has made his career as a composer. During his early days at Bob Jones University pursuing piano performance, Forrest’s love of composition began to become apparent. He found that, to him, nothing compared to the sounds and musical dynamics of a choir.
On the cusp of 40, Paul Mealor has already built a legacy of musical excellence. His journey started at the young age of 10 when he began learning from teacher and composer William Mathias. Mathias is probably best known for composing an anthem specifically for the wedding ceremony of Prince Charles and Lady Diana in 1981.