New Independent Publications for 2025–2026
J.W. Pepper is proud to highlight a curated collection of newly released solo and ensemble works available through My Score, our platform dedicated to independent publishers. These selections showcase the artistry, originality, and diversity shaping today’s evolving repertoire. Whether you are preparing for upcoming performances or seeking new material for study and programming, we invite you to explore these engaging new additions.
Teeth in the Current for Solo Flute
by Ricardo Stevens
Plunge into the depths of a terrifying underwater narrative! This thrilling solo etude transforms the performer into an apex predator of the deep, demanding intense emotional shifts and vivid storytelling. The piece opens in the suffocating, pitch-black water of the ocean floor, pulsing with a relentless, driving hunger. As the unseen hunter ascends, the shadows suddenly part to reveal a breathtaking sunlit coral reef alive with color and floating serenity. But this tranquility is a trap. Without warning, the water violently churns. The predator strikes. The resulting chase is frantic and brutal. Even as the chaos briefly subsides and the hunter slips back into the peripheral gloom, the tension only tightens. It is simply circling, locking onto its target, and building toward one final, inescapable ambush. Perfect for recitals, auditions, an unforgettable, show-stopping segment in an end-of-the-year spring concert, or any musician looking to showcase their dramatic range, this piece requires the performer to instantly snap between expansive, warm beauty and raw, aggressive power. Do you have the breath to survive the depths?
In Her Footsteps for Clarinet Choir
by Enrique Ponce
A rewarding challenge for clarinet choir, offering performers the chance to explore lush harmonies and intricate writing that demand both precision and musical sensitivity. The interplay between voices creates a rich tapestry of sound, while the technical passages keep each part engaging and fun to play. From the performers’ perspective, this work is both demanding and highly satisfying. Each part contributes meaningfully to the overall texture, allowing players to shine individually while also experiencing the joy of ensemble unity. The balance of lyrical moments and lively interplay makes it a favorite to rehearse and perform.
Les Gardiens des Dauphins for Various Trios
by Ron Castonguay
Inspired by the beauty, elegance, and joyful spirit of dolphins, this romantic and contemporary trio captures their playful energy and graceful movements as they glide through the ocean. Originally composed for violin, viola, and piano, the work is now available in multiple instrumental renditions, including B♭ saxophone and E♭ saxophone, flute and B♭ clarinet, and oboe and English horn, all with the same elegant piano accompaniment and all in the same concert pitch. Each version preserves the lyrical dialogue and fluid interplay of the original, allowing performers across instrument families to embody the same sense of motion, wonder, and connection. The interplay between the two melodic voices and piano mirrors the fluidity of dolphins weaving effortlessly through the waves, creating a sense of elegance and joy.
Proclamation for Brass Ensemble
by Lori Sutherland
Originally inspired by the antiphonal sounds of O Filii et Filiae by Volckmar Leisring and composed for horn octet, Proclamation travels through various time signatures in the opening fanfare, then switches moods in a soft, lyrical section. The entire ensemble combines for the dynamic finale. Well-suited as a concert opener for your ensemble. The brass ensemble edition is for 4 trumpets, 4 horns, 3 trombones, 1 euphonium (baritone TC optional), and 1 tuba.
Bingo for Flexible Instrumentation Quartet
arr. John McAllister
Bingo is a lighthearted and engaging arrangement of the classic folk song, written for adaptable quintet instrumentation and designed specifically for later middle school and early high school musicians. Set in cut time, the piece begins in E♭ major before modulating to F major, offering a musically meaningful yet accessible key progression that supports developing technique and ensemble skills in a true chamber music setting. This flexible arrangement works with a wide variety of instrumentations, making it ideal for mixed chamber groups, woodwind quintet alternatives, brass ensembles, or any combination of five players. Optional snare drum and bass parts are included to allow for expanded performance with a larger ensemble or full band, and an ad lib auxiliary percussion part (such as tambourine) is encouraged to add energy and color. Beyond its classroom and chamber applications, it’s an excellent choice for elementary school visits, outreach concerts, and demonstration performances, where familiar folk material helps younger audiences instantly connect with live instrumental music. This arrangement emphasizes fun, approachability, and musical engagement—making it a great tool for building enthusiasm for band, chamber music, and instrumental performance.
Fugue in G Minor “Little” for Woodwind Quartet
arr. Ian Deterling
The “Little” Fugue in G Minor is one of Johann Sebastian Bach’s most popular works for organ. This arrangement is a faithful adaptation of the original with slight modifications to make it more accessible to woodwind quartet. The memorable themes and magnificent countermelodies will make this dark fugue a wonderful addition to your next concert!
The Mariachi Book: Beginners Vol. 2 for Mariachi Band
by Santiago Espinoza
Dive into the soul-stirring world of mariachi with a vibrant songbook designed for beginning mariachi musicians of all ages. Curated by lifelong mariachi musician and educator Santiago Alberto Espinoza, this collection features popular mariachi songs with accessible arrangements to build a strong musical foundation. Perfect for those with a basic understanding of their instrument and music reading, the book blends technical precision with the heartfelt style of mariachi tradition. Each song is accompanied by audio recordings (access details included) to guide learners in capturing the stylistic nuances that define mariachi, encouraging aural learning alongside sheet music. With beloved songs that resonate with audiences, young musicians will gain confidence to perform for family, friends, or larger crowds, infusing every note with passion and joy. Ideal for classrooms, music programs, or home practice, The Mariachi Book is more than a songbook – it’s a gateway to cultural heritage and musical expression. Start your mariachi journey today and let the music touch your soul!
The Exchange for Bassoon Quartet
by Quincy Hilliard
Written for four bassoons, but can be played by any variations of bass clef instruments; for example, tuba and 3 baritones, tuba and 3 trombones, tuba/bass trombone, trombones and baritones, etc. The work is written in a variety of different styles and tempos – please make an effort to bring out each style! This work is dedicated to an outstanding bassoonist and teacher, Cathy Lewis.
Sainho de Chamalote for Clarinet Quintet
by Luis Cardoso
Dedicated to clarinetist Maestro António Saiote, this work for clarinet and string quartet is inspired by Portuguese traditional music. It unfolds in three movements – Valsa Fandanga, Fado, and Cante Chulado – each reflecting a distinct facet of Portugal’s musical heritage. The title, drawn from a verse by Camões, highlights the connection between Portuguese literature, tradition, and the artistic identity of the dedicatee. This chamber version creates an intimate dialogue between clarinet and strings, making it ideal for recitals, themed concerts, educational programs, contemporary chamber music series, and projects celebrating Portuguese culture.
The Water Is Wide (O Waly Waly) for String Quartet
arr. Gary Laughrey
This thoughtfully crafted arrangement presents a charming English folk tune in a refined setting for string quintet. The work features three distinct interpretations, culminating in a final, slower movement that introduces a key change, highlighting both the expressive versatility of the ensemble and the timeless beauty of the melody.
